Narrative Criticism of "The Last Leaf" by O.Henry
Hope.
Have you ever
wondered the power you hold within the walls of your own mind? Why is it that when a person sets his mind on
something the unconscious goes to work night and day to achieve it? For good or for ill? What is it about
optimism and anticipation that creates
physical healing to advance? Unbelievers may throw their chances in life to
the wind, but visionaries who understand the magnificent power this simple
proposal could make on their destination, may also realize the influence and
command the psyche has on their life. Hope.
In this analysis, I will examine the
idea that the mind is more powerful than medicine. I will also discover why each journey in this
life has unique qualities, and individual passions worthy of attention and
care. Diversity between humans, begs the
discontinuance of judgments upon each other.
One person's hope promoting longings, may be at odds with another's, yet
both are the ideal for that person.
Ultimately though, we all need each other to attain self-actualization.
The short story, "The Last
Leaf" will be the piece of artistic literature used to paint the answers
to these questions. This small tale
includes many areas worthy of rhetorical analysis. The objective of the story is to instill hope
in a fate filled situation, by offering lessons the audience can relate to through
the telling of the narrative. I will
focus on the characters within this narrative as my palate of color.
In painting this essay, I will first explain the narrative mode of
criticism. Next I will describe the
artifact, outlining its basic qualities.
This description will include the context in which this story was
written, and a justification as to warrant this analysis. Thirdly I will reveal the worthy points in the
story of analysis I've chosen, proving the objective of the story according to
my perspective. Finally I will offer how
these findings might improve the human condition by offering relative insight.
Narrative Criticism
The narrative form of criticism helps us make sense
of stories through finding shared relevance and association. Humans draw meaning by relating to the
stories and therefore it can be a powerful means of persuasion and expression.
Walter Fisher created the narrative paradigm asserting that human beings
are essentially storytelling creatures and that the dominant mode of human
decision making involves the sharing of these stories. A narrative begs involvement of its audience.
A narrative includes the following distinguishable
elements:
1. Contains
at least two events, either active or stative
2. Events are organized by time
3. Must have cause and effect relationships
4. Must be about a cohesive subject matter
A narrative has identifiable features that aid in
satisfying the objective of the rhetorer.
These features are the setting, characters, narrator, events, relations,
audience, and theme of the narration.
The objective may be met through any or all of these avenues, or one
feature may hold the majority of the purpose of the narrative. These features provide a structure or
skeletal base in which an adequate analysis can be made.
I chose to use the narrative method in this essay
because of how one can draw meaning from the characters in the story
"The Last Leaf."
The Last Leaf
"TheLast Leaf," was written by O.Henry (1862-1910).
The
major event in this story is that Mr. Pneumonia visits the village and many
people are infected. The story's setting is in a quaint old
Greenwich Village comprised of seeking artists looking for opportunity. The story is mediated by a narrator who tells the
audience about events and characters. The narrator uses metaphors,
phrases of speech, and is quite descriptive but straightforward. The main characters in the story are Sue and
Johnsy, who are roommates living on the
3rd story of a squatty brick building in a studio apartment. These two women share similar passions for painting.
The
humanized sickness, Mr. Pneumonia makes its way among the streets of Greenwich
Village, captivating many, and Johnsy is no escapee. She is stricken and on her deathbed. The doctor of the town is the next character
introduced as he shares Johnsy's diagnosis with Sue, explaining her chances
were one in ten of living unless she has something to live for. Johnsy is sure she will die at this point. As Johnsy watches the leaves fall off the
vine outside her window, she is certain she will die when the last leaf falls.
She begins to count down and thus is counting the last days of her life.
The
doctor claims that if a patient has already counted the carriages in his/her
funeral procession, he could almost safely deduct 50% chances of the his
medicinal wisdom and power from curing.
A drunk
60+ year old man, deemed a failure in the art department, lives downstairs in
the brick building and is called upon to help Sue. He talked often of painting his
'masterpiece'. . . someday. Behrman comes to Sue's aid not initially
realizing it would be Johnsy he would ultimately save.
The
context in which this story was written at a time in history where medicine
was not advanced, and a bout with pneumonia posed as a deadly threat. It's also worth mentioning that the artists
were striving for their passions of becoming artists while it was unpopular at the time to do so,
especially for two women. It would have been a more reasonable choice for them to settle down and find a man to marry.
This
narrative is worthy of analysis as the reader can relate to feelings of
hopelessness, trials, and despair. It
offers a view of powerful insight by using the mind in overcoming obstacles.
Analysis
I will explore how the characters in the Last
Leaf overcame their despair in their own unique way, using the mental powers of
hope. There are many parallels between
the characters and their own journeys that I will mention. The three characters I will explore
specifically are the doctor, Johnsy, and Old Behrman. Each were in some way "infected" by the villain, Mr. Pneumonia. Each
overcame their limitations by the powers of hope along with the help of each
other. None of them could have
accomplished this solitarily. I will also
discuss how Sue served as the facilitator for each of these three characters.
In this story Mr. Pneumonia is described as an
"unseen stranger", a
"stalker", "icy", "smiting his victims without
chivalry." Metaphorically he is
like the despair that comes into our lives.
Mr. Pneumonia could be the trials and tragedies that we are not
expecting. He could be anything that
holds us back from reaching our potential.
Mr. Pneumonia could literally freeze our abilities, our lives, our
ambitions with his icy hands. For
Johnsy, he froze her life as she lay on her deathbed.
As this disease relates to the characters in the
"The Last Leaf", Mr. Pneumonia presents exclusive obstacles. For example, the doctor deals with the him in
his quest to aid others to be healed from the sickness. He isn't infected himself, yet in the story
the doctor is still required to overcome Mr. Pneumonia.
Johnsy's body on the other hand is infected itself
and her biggest requirement is to be healed.
Behrman's obstacle is also related to Mr. Pneumonia, although the
disease is actually the facilitator of his reaching his goal. By him painting his masterpiece in order to
save Johnsy from Mr.Pneumonia, he fulfills his sole purpose. Ironically then, the sickness infects Behrman
and takes his life, relieving him from his depression only after aiding
him.
My interpretation of Mr. Pneumonia is that he is a
necessary evil for progression. He's our
trials in life. Mr. Pneumonia persists
as a blessing and a curse. He both hurts
and helps each individual he touches.
The infected find ways to overcome him, yet without him none could reach
their potential thus fulfilling their purpose or greatest desire. We will all
be given different burdens, exclusive mountains to climb, distinctive hardships,
yet the common thread is that each mortal will definitely have to face
them.
But wait, will they HAVE to? Can we sidestep Mr. Pneumonia? Do we have the choice?
It wasn't until the characters made the decision to
face their problems that they could overcome them. Had they continued in ignorance, Mr.
Pneumonia would have only been a curse, taking their lives or the lives of their
patient or upstairs neighbor. So in
reaction to the above question, I propose that NO we do not HAVE to face up to
our problems. We can indeed live in
ignorance. We don't have to call the
doctor. We don't have to find a
passionate goal or reason to live. We
don't have to paint a masterpiece. We
don't have to help our friends, or heal the sick. The choice must be made, and luckily with the
help of others, our choices can be to face our demons and make up our minds to
overcome our limitations. It all starts
(and ends) in our minds.
The characters in this story each face their
demons. Mr.Pneumonia.
The doctor uses science and medicine to facilitate
treating his patients, yet he mentions that these devices hold little curative
value if the patient have nothing to live for.
The doctor realizes the power of the mind in overcoming sickness.
Johnsy is a hopeless and dying case. She once had a desire to "paint the Bay
of Naples" , yet she is on her deathbed counting the days till she
passes. Johnsy initially does not want
to face her demon. She has given
up. The rhetor metaphorically portrays her as a test case, referring to her
through Sue calling her a "little white mouse," suggesting a sort of experimental project
taking place. Sue aims to heal Johnsy by
reminding her of a reason to live through deception of a clinging leaf painted
on a brick wall. Hope. Sue facilitates, helps, draws on others (the
doctor and Behrman). Even Sue faces the
same demon, she is the linking pin among the others infected.
The experimentation then is to see if in fact the
doctor was right in his implication that the mind is more powerful than his
medicinal powers. Sue tests out his
theory by calling on Behrman to paint Johnsy 'hope' on the outside wall. As Johnsy passively watches her life fade(watches
the leaves fall) she believes she will die.
The idea of hope is the entity that brings remedy. Believing that because that last leaf refused
to fall, she in turn was meant to
live, accordingly she did. She then
desired to paint "The Bay of Naples" again. Using mental powers to overcome her sickness,
she found her passion and ignition for living.
My favorite character, Old Behrman, is
intriguing. Behrman is a hopeless
case. He is depressed. A failure. Drunken daily sitting next to a blank
canvas. He hesitates to conform to Sue's request for
help, but once he faces the opportunity to come out of his shell and assist, he
is able to actually find the fulfillment he lacked. Satisfying his dreams, while facilitating
someone else to fulfill theirs. He is
like the leaf he painted, he became his own masterpiece in a sense. Let me explain. The story relates,
".
. . after the beating rain and fierce gusts of wind that had endured through
the livelong night, there yet stood out against the brick wall one ivy
leaf. It was the last on the vine. Still dark green near its stem, but with its
serrated edges tinted with the yellow of dissolution and decay, it hung bravely
from a branch some twenty feet above the ground" (Henry, 2002).
Berhman experienced the beating rain and fierce
gusts of wind as he failed in his attempts to be an accomplished artist. I liken his body to the leaf he painted. The above description of the leaf says it had
"serrated edges tinted with the yellow dissolution and decay." Behrman was an old man, a drunk, tinted by
life's downturns. He was decaying
also. But at his stem and core of his
soul, he was still dark green, full of chlorophyll and life. In spite of the storm at his core he still
had strength to hang bravely from the branch amid the storm. It portrays how he left his mark before he
died. His sacrifice remained as a
permanent token. He not only fulfilled
his purpose, he left his legacy, a depiction of himself, for others to draw
from.
Each character had differing passions and goals.
The doctor asks Sue if Johnsy has anything to live
for, any reason to spur hope into her mind.
Sue answers that Johnsy has always wanted to paint the Bay of Naples. The doctor's reply is "Bosh! Has she anything on her mind worth thinking
twice---- a man, for instance?" (Henry, 2002) He did not agree that wanting to paint a
picture was a worthy cause to want to live.
He thought a man to marry would be a more justifiable cause for life. Johnsy in a sense did not agree that her mind
was powerful enough to cure her body.
Berhman did not initially agree to help.
They all had different desires, different passions, different goals. Together, however, these characters were able to bring about mutual fulfillment.
Insight
This narrative offers many points of discovery that
can be insightful to the human spirit.
It offers hope, significance of
having a vision, sacrifice, self-discovery, and interdependence.
The power of the mind is a tool that can facilitate us to reach our highest potential. It's power can trump that of years of science and medicinal discovery.
The power of the mind is a tool that can facilitate us to reach our highest potential. It's power can trump that of years of science and medicinal discovery.
I draw the meaning that the choice to
overcome your burdens through mental will-power, although harder than being passive, is the only way to
experience self-actualization. It
reminds me of the quote:
"And the
day came for the risk it took to remain tight inside the bud was more painful
than the risk it took to blossom" by Anais Nin
As we first face our hardships, we then can commit
to make up our minds to overcome them. We
can choose to be stagnant, or we can choose to move forward. We can improve and be better than we were
before. All of this can be accomplished
by action, determination, and most importantly by the help of those around us. Hope is a HEALING state of MIND!!!
Reference:
Henry, O. (2002). The Gift of the Magi and Other
Stories. New York: Scholastic.
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